Another Review of 'Khoya Khoya Chand'

The settings and the mood were brilliant. The clothes, the hairstyles, the songs, the music composing sessions so different from today’s technologically superior studios, the same casting couch problems, the Bengali director high on artistic integrity and liquor, the Punjabi producer shamelessly spouting commercialism and neither character coming across as stereotypes. Alas, the principal character is the victim of this attention to detail on everything else.

Nikhat (Soha Ali Khan) is supposed to be an actress who is exploited by everyone, manages to make it as a success in Bollywood and then takes up drinking as her career and personal life nosedive. Sadly it is a rare moment when you can understand or empathise with Nikhat. She looks the same whether it is confessing her first casting couch experience at 14, or discovering that her memories of a loving father are not true or buying liquor surreptitiously from a bootlegger. In a scale of ‘how much I empathized with the character’, if Mr Bean scored a 3, Nikhat would score 1. Especially considering that I was pre disposed to weep for her as she is supposed to be based on real life heroines like Waheeda Rehman who did suffer a lot of trauma.

Rajat Kapoor as the aging hero, Premkumar, has a great role and does it well. Shiney Ahuja as the self-involved writer Zafar again vacillates from realistic to uni-dimensional. Peripheral support characters like Vinay Pathak, Saurabh Shukla, Sonya Jehan shine.

The movie reminded me of some of the dinners I have been to. The table is set right, complete with excellent chinaware and filled with well-garnished, delectable looking items, but the actual food usually tastes average. Looks great for a photo shoot but you can never forget yourself in it.

By,
Anita B.
(Read other posts by Anita B. at http://royalvilla.blogspot.com)

Review of 'Khoya Khoya Chand'

'Khoya Khoya Chand' attempts to recreate the magical world of Hindi cinema as it existed during the Guru Dutt era. I am tempted to say that it is a 'different' film, except there have been so many different films lately that the word can no longer be applied to most movies. It is an interesting story, and well told, though the second half could have done with crisper editing.

It is the story of the aspiring young star Nikhat, her journey from obscurity to fame and then her growing dependence on alcohol as her stardom lessens; of the men who accompany her / exploit her at various phases during this journey. According to news reports, the screenplay is loosely based on the story of Guru Dutt and Waheeda Rehman, sprinkled with excerpts from Meena Kumari and Madhubala's lives.*

The sets, costumes and music recreate the look and feel of an era. Apart from three absolutely delightful new songs - 'Khoya Khoya Chand', 'Yeh Nigahein' and 'Thirak Thirak', there are popular songs from old Hindi movies constantly playing in the background. There are references to stars of that time, and scenes that are respectful nods to classic movies of that era.

Each individual in the ensemble cast holds his own - Rajat Kapur, Vinay Pathak, Shiney Ahuja, Soha Ali Khan etc. Though Soha's acting has been panned by many reviewers, I thought she suited the role and was quite natural as Nikhat. The movie has some lovely dialogues - most of them delivered either by Saurabh Shukla essaying the role of a Punjabbi producerr, or by Shiney Ahuja as the writer Zafar. Soha Ali Khan, by contrast, has many overdramatised filmi dialogues, though she manages to make you believe in Nikhat in spite of them.

All in all, definitely worth a watch.

* (Note: Wonder why they left out Nutan ? Moral of the story : Good girls have no fun in their youth and no movies are made about them once they pass away.)

By,
Zenobia D. Driver